Stained glass windows painted and baked at a very high temperature ("GranFuoco") – Sacred and profane
Stained glass windows painted and baked at a very high temperature ("GranFuoco") – Sacred and profane

Created with the traditional technique by using vitrifiable enamels, polychrome and “Silver Yellow” grisaille

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Stained glass windows with the Tiffany technique
Stained glass windows with the Tiffany technique

Tin plated by using multicoloured opalescent-iridescent Favrille glass

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Bright ceilings or in full light
Bright ceilings or in full light

Large in size, they have a remarkable decorative and chromatic impact and are mainly created with mixed technique

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Domes, self-supporting ceiling light fixtures and interior lights in various sizes
Domes, self-supporting ceiling light fixtures and interior lights in various sizes

Exclusive feature: the total absence of supporting frame

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Mirrors with inserts painted at a very high temperature
Mirrors with inserts painted at a very high temperature

Created with the “Tiffany” technique, they use stained glass or inserts painted and baked at a very high temperature

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Sculptures and bas-relief with sand-jet treatment
Sculptures and bas-relief with sand-jet treatment

A high-pressure jet of fine sand is used by the Master as the sculptor uses the chisel

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Sandblasting with three levels of intensity
Sandblasting with three levels of intensity

By playing with various degrees of sandblasting intensity, you get different shades.

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Stained glass windows for churches
Stained glass windows for churches

Stained glass windows for places of worship with traditional or mixed technique

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Restorations: conservative and supplementary
Restorations: conservative and supplementary

Restoration is carried out in full compliance with techniques and tradition

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